Inspiration #6, a trader from Gotland

The sixth issue of our inspiration series introduces Radomír Jelínek, a well-known Slovak reenactor. Radomír aims to reconstruct a trader from Gotland in late 10th/early 11th century.

We can see from the photos that Radomír wears a brown tunic made from herringbone wool and hemmed with geometrically patterned silk. The tunic is belted with a girdle inspired by various Gotland finds. Its buckle, strap end and belt lamellae come from Rone and Hense graves, while hanging straps are derived from Ense. There is a bag on the belt decorated with sheet brass and silk, a purse based on a Birka find (Radomír currently works on a new one based on a find from Barshalder), a whetstone with a colourful mosaic, tinderbox based on a Birka find and a comb based on a find from Eskelhem. A small pattern-welded steel knife is hanging on his neck, adorned with silver and brass and based on a find from Rone. Then we can see a hammer pendant on a chain – Radomír intends to swap that one for a cross. He covers himself with a brooch-fastened, semi-circular brown cape from herringbone wool (Radomír wears three types of brooches based on Visby finds). There is a fur-hemmed woolen hat on his head, decorated with silk embroidery and a hat top replica based on Birka (the hat will be also decorated with ornamental posament). On his hands we can see some brass and silver bracelets with punched decoration. Finally his profession is symbolized by simple weighing scales which have been found in several locations (Visby, Akeback, Oja).

On his legs we can see wide breeches made according to Gotlandic pictures stones depictions and a find from Haithabu. Breeches are dyed with indigo and tansy. Shoes with two buttons are a replica of Dorestad shoes. There are white nålbinding socks covering his shins with a thin lace fastened with two small (2 cm) pins.

Weapons are also a part of this trader‘s costume. It is a sharp H type pattern-welded steel sword (unfinished) with Geibig type 3 blade (80 cm long and 6 cm wide), a sharp pattern-welded steel seax (Radomír owns two of these but plans to rebuild both, one of them is a Gotland find replica), a sharp pattern-welded steel spear of type I with brass crosspieces (according to a Gotland find) and a mace which is going to be replaced by a more authentic replica.

Aside from this Radomír plans to make a new silken printed caftan, maybe a new hat, satchel, purse, archer‘s equipment, strap divider for the sword with a belt according to Rone and Hense finds and crampons.


I would like to thank Radomír Jelínek for providing photos and a detailed description of his costume. Here we will finish this article. Thank you for your time and we look forward to any feedback. If you want to learn more and support my work, please, fund my project on Patreon or Paypal.

Inspiration #3, A Woman From Birka

The third episode of inspromat is reserved for rich female costume from Birka. This time we will look at the costume of Russian reenactor and my friend, Lida Gubareva.

Lida sets her costume in the first half of the 10th century in Birka. Most of the equipment consists of replicas of items from grave Bj 965, which contains a coin, so the grave can be dated after the year 913. Despite that, Lida does not consider her costume ideal for the reconstruction of clothing from Birka, because the equipment incorporates also replicas of objects that were found elsewhere. Lida also told me that she is making a new caftan and overdress, and apologized for not knowing all the numbers of the graves, because she reconstructs three periods at the same time.

On the photographs, we can see three different underdresses that have a shape of a simple tunic. The first one (blue) is made of 100% wool woven in diamond twill. It is dyed with indigo and has hems of silk twill, whose warp is dyed with buckthorn and weft with indigo. Silk panel at the neck is decorated with two tablet woven stripes made of silver and silk, which are inspired by tablet woven strip from grave Bj 965. Second underlying dress (yellow) is made of polychrome silk and is hemmed with blue silk. The hems have tablet woven stripes as well. Third underlying dress (green) is made od simple linen and hemmed with silk which is dyed with madder and soda.

Overdress (apron, hangerock) have trapezoidal shape and are made of 100% woolen twill, dyed with indigo. Over these clothes, Lida wears crimson-red caftan, which is made of 100% wool, woven in 2/2 twill, dyed with madder. The weft is slightly darker than the warp. The caftan is hemmed with Sasanian silk with motifs of medallions depicting lions and phoenixes. Her second caftan, the yellow one, is linen and lined with silk. It has a hem of polychrome silk and beaver pelt.

Oval brooches are replicas of the find from several graves in Birka, including Bj 965. All other bucklesnecklaces and pendantsear spoon or needle-case are replicas of finds from Birka. Two exceptions are the Friesian comb with a case and crosses that are inspired by the find from Rügen. The costume is complemented by scarf with a knot, which is an interpretation of “knot” that can be seen on Valkyrie figures from Scandinavia.

I would like to thank Lidia Gubareva for granting me permission to use her photographs and for detailed description of her costume.


I hope you liked reading this article. If you have any question or remark, please contact me or leave a comment below. If you want to learn more and support my work, please, fund my project on Patreon or Paypal.

Inspiration #2, A Man From Birka

In the second episode of inspiromat we will stay in Birka, but this time we focus on male costume. For this reason I asked my Russian friend Konstantin Shiryaev who willingly provided me his photos with description.

The costume is based on finds from Birka, particularly grave Bj 644, but he also uses finds from surrounding regions. This is a costume of rich warrior in the mid-10th century. Konstantin says that his costume will never be done, and he intends to continue improving it.

FIG.1:
On the head, we can see a circular four-piece woolen cap (type B) dyed with oak bark. Silk on the hem is dyed with natural indigo. Konstantin also wears linen shirt dyed with natural indigo. The shirt is fringed with patterned silk. The shirt is girded with a replica of belt from Garrison in Birka. On his belt a knife hangs in a leather sheath and a replica of the bag from Eperjeske 3. A similar find of bag was found in grave Bj 644. The lid of the bag is decorated with gilded silver plate. On his legs, we can see wide linen trousers (påsbyxor), with shape based on finds from Haithabu, woolen leg wraps and leather boots of type 8 from Haithabu.

FIG.2:
On his head, we can see a conical felt cap (type A) with silk sewn onto it. Hat is decorated with silver terminal and a beaver pelt hem. Then, we can notice a red woolen tunic, based on the finds from Bernuthsfeld and Guddal. The tunic is decorated with patterned silk and silver embroidery and is girded with replica of belt from grave Bj 1074. Over the tunic. he wears rectangular blue woolen cloak which is lined and has a hem made of beaver pelt. The pin used to clasp the cloak is a replica from grave Bj 644. This somewhat unusual way of wearing the cloak is based on the positions of pins in Birka, Finland and Russia. Konstantin is holding a replica of battle axe from grave Bj 644. Over the previously described linen trousers, he wears red woolen leggings pinned with replicas of bronze hooks from grave Bj 905.

FIG.3:
Costume in this figure is the same as in Figure 1. The only difference is the woolen caftan, which is decorated with a patterned silk and 12 bronze buttons. Konstantin says that the silk part of his caftan is the only fabric on his costume, which is machine-dyed, and therefore intends to sew a new one. At the waist, we can notice replica of seax from grave Bj 644 (Konstantin adds that this is the old version of the seax and now works on a new one).

FIG.4:
Battle version of the costume. On his head there is a helmet, which is inspired by a fragment of Tjele helmet. At the waist, we can notice the sword type H in a wooden sheath. Type H swords are the dominant swords in Birka. On the back, there is a wooden shield, its front is covered in leather. Hands are protected by gloves, which are made of leather and felt (left mitten is only made of wool).

FIG.5:
Another picture of battle costume, this time with a single-piece helmet. In accordance with Ibn Fadlan’s report, he has an axe, sword and seax. We can notice that his shoes are lower and his leg wraps are fixed with decorative garters.

I would like to thank Konstantin Shiryaev for granting me permission to use his photographs and for detailed description of his costumeHere we will finish this article. Thank you for your time and we look forward to any feedback. If you want to learn more and support my work, please, fund my project on Patreon or Paypal.

Were plantfibers cultivated in medieval Iceland?

It is my honour to present the article “Were plantfibers cultivated in medieval Iceland?” that was written and offered to me by my friend Marianne Guckelsberger, a textile master active in Iceland. The article discusses the Icelandic textile production, especially the production of linen.

The article can be downloaded via the following button:


I hope you liked reading this article. If you have any question or remark, please contact me or leave a comment below. If you want to learn more and support my work, please, fund my project on Patreon or Paypal.

Inspiration #1, A Woman From Birka

This article will start a series of articles that will focus on concrete costumes. The aim of this series is to inspire reenactent audience.

We will start with my Belarusian acquaintance Julia Kovalevskaja, who was the first to provide her photos and description of her costume. Julia’s costume represents a rich woman from Birka in the second half of the 10th century. She considers her attempt to be a reconstruction.

Costume consists of linen underwear (there are three in the pictures – white, blue and light purple), which is closed by a replica of the brooch from the grave Bj 642 at the neck. Over the underwear, Julia wears a blue woolen apron (hangerock) woven in diamond twill weave. The apron is decorated with decorative wool laces along the seams. On the linen loops, there are two oval brooches type P55, which were discovered in graves Bj 865, 959 and 960. Julia wears a green woolen caftan woven in diamond twill weave, which is lined with linen and closed by a replica of the trefoil brooch from the grave Bj 954, over the outer dress. In some photos we may notice a fur vest, which has no background and comes exclusively from Julia’s imagination. The uppermost layer is a dark green woolen shawl woven in a complex diamond twill weave. On the head we can see woolen (diamond twill and lined with linen) hood or woolen or silk caps with woolen / linen cords.

Accessories include a bone comb with a case (which is not based on Birka material) and a knife, both hinged on brooches. There are many silver, gold and glass beads around her neck and between the brooches, which are based on various finds from Birka. On a separate cord, she wears a replica of the cross from the grave Bj 660.

Author: Xenia Luchkova.

Author: Xenia Luchkova.

Author: Xenia Luchkova.

Author: Xenia Luchkova.

Author: Xenia Luchkova.

Author: Olga Tarasevich

Author: Olga Tarasevich

Author: Bouzin.

Author: Allbelphoto.

Author: Allbelphoto.

Author: Allbelphoto.

Author: Allbelphoto.

Author: Allbelphoto.

 I would like to thank Julia Kovalevskaja for granting me permission to use her photographs and for detailed description of her costume. 


I hope you liked reading this article. If you have any question or remark, please contact me or leave a comment below. If you want to learn more and support my work, please, fund my project on Patreon or Paypal.

Scandinavian cloak pins with miniature weathervanes

 

During my research work, I have long been coming across an unusual type of artefacts, which are being described as miniature weathervanes (Swedish: miniatyrflöjel, miniflöjel, German: Miniaturwetterfahne). After many years, I have decided to take a deep look into these interesting objects and provide the readers with thorough analysis, comments and further references.


Finds description

At the moment, I am aware of eight more or less uniform miniature weathervanes, originating from seven localities. Let us take a detailed look at each of them:

  • Svarta jorden, Birka, Sweden
    At the end of the 19th century, one miniature weathervane was found in the Black Earth (located on Björko) during the excavations led by archaeologist Hjalmar Stolpe. It is 45 mm long and 35 mm wide (Salin 1921: 3, Fig. 4; Sörling 2018: 59). The material is gilded bronze (Lamm 2002: 36, Bild 4a). Currently, the item is stored in The Swedish History Museum under the catalogue number 5208:188; the on-line version of the catalogue also mentions a presence of 85 mm long pole (stång).

    Li
    terature: Salin 1921; Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Sörling 2018; Thunmark-Nylén 2006; catalogue SHM.

The miniature weathervane from Birka. Source: Salin 1921: Fig. 4; catalogue SHM.

  • Tingsgården, Rangsby, Saltvik, Ålandy
    Most likely in 1881 in Tingsgården, a barrow was found on the land of Ålandian landlord Robert Mattsson, whene he took it apart to use the materials for landscaping. Inside of the barrow, he found a wooden riveted coffin with remnants of coal, bones and an iron object. An archaeological research was conducted in the summer of 1903 by Björn Cederhvarf from The National Museum of Finland, who documented the find and transported it to the museum in Helsinki. The landlord’s son made yet another discovery in the barrow’s ground – a damaged bronze item with stylised animal ornament – a miniature weathervane which was 52 mm long, 37,5 mm wide and weighed 17,6 grams. To this day, the object is stored in The National Museum of Finland, designated by inventory number 4282:13. The Åland Museum only displays a very successful replica (Salin 1921: 20, Fig. 21; Lamm 2002: Bild 4c; Lamm 2004). In the museum, the object is displayed together with a pole , which can be seen here.

    Literature
    : Salin 1921; Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Thunmark-Nylén 2006.


A miniature weathervane from Tingsgården. Source: Lamm 2002: Bild 4c; Lamm 2004: Fig. 1.

  • Gropstad, Syrholen, Dala-Floda, Dalarna, Sweden
    Supposedly in 1971, a highly damaged cremation burial was uncovered near Gropstad at Dala-Floda, containing only two fragmentary casts of miniature weathervanes (Frykberg 1977: 25-30). Both were made of bronze and vary in shape, level of conservation and decoration. One of them does not retain pole sockets, has more significant tassels and is of Borre design. The other has pole sockets, but lacks the tassels – instead, it has perforation, which could had been used for tassel attachment – and is decorated with simple concentric circles. Currently, the weathervanes are stored in Dalarnas Museum in Falun, Sweden.

    Literature
    : Frykberg 1977; Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Thunmark-Nylén 2006.


Gropstad weathervanes. Source: Lamm 2002: Bild 4e-f.

  • Häffinds, Burs, Bandlunde, Gotland
    Another miniature weathervane was found during excavation of a Viking age marketplace near Häffinds on the eastern coast of Gotland (Thunmark-Nylén 2006: 366-367, Abb. III:40:7:I). The excavation was then led by Göran Burenhult from the Stockholm University and the weathervane was the most interesting item found during the work. The object is made of bronze, measures 53 mm × 42 mm (Thunmark-Nylén 2000: 92) or 54 mm × 43 mm (Lamm 2002: 39, Bild 4g; Lamm 2003: 60). It weighs 26 grams (Lamm 2002: 39). During that time, this particular weathervane brought interest mainly due to having been the first one differentiating from the Birka and Tingsgården finds: it has three pole sockets, the yard ends with animal head terminal and the tassels are pointed.

    Literature
    : Brandt 1986; Edgren 1988; Thunmark-Nylén 2000; Brandt 2002; Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Thunmark-Nylén 2006.

Häffinds weathervane. Source: Thunmark-Nylén 2006: Abb. III:40:7:I; Lamm 2002: Bild 4g.

  • Söderby, Lovö, Uppland, Sweden
    A completely shape-identical bronze weathervane was found in spring of 2002 during excavation in Söderby, Sweden, lead by Bo Petré. It was unearthed in a particularly interesting cremation grave A 37 – it seems the grave was deliberately dug within a Bronze Age barrow, and the dead (presumed male) was laid on a bear fur along with dogs, a horse, a chest, a long knife, a silver-posament decorated clothing, two oriental silver coins from 9th century, a comb, a whetstone, two ceramic cups and an iron necklace with a hammer pendant and then cremated (Petré 2011: 60-61). The weathervane is 48 mm long, 37 mm wide and weighs 19,9 grams. Three pole sockets hold a bronze circular shaft, which is broken on both ends (Lamm 2002: 39). The grave has been dated to 10th century (Lamm 2002: 39). Currently, the item is stored in The Swedish History Museum under catalogue number 26192 (F2).

    Literature
    : Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Thunmark-Nylén 2006; Petré 2011; catalogue SHM.

Söderby weathervane. Source: catalogue SHM.

  • Novoselki, Smolensk, Russia
    After the Söderby weathervane find, Jan Peder Lamm, the author of an article about miniature weathervanes, received a message of yet another object from Russian archaeologist Kirill Michailov of the IIMK Institute of Russian Academy of Sciences. The miniature weathervane was excavated in Novoselki village in Smolensk area. The message also included a drawing, produced by Mr. Michailov himself after the find in 1996. The drawing shows that the item is the same type like the Häffinds and Söderby finds, though differentiating in the number of pole sockets – having only two instead of three and mounted with an iron shaft. Dr. Lamm stated (Lamm 2002: 40; Lamm 2003: 61) that the find originates from the grave nr. 4, which was marked as incorrect after the publication of E. A. Schmidt’s find in 2005. Schmidt (Schmidt 2005: 196, Il. 11:2) claims that the miniature weathervane was found in the grave nr. 6, along with a spearhead, a knife and a ceramic cup. The object was depicted with a long needle pin and a ring in the form of clothing pin. Personal interviews conducted with archaeologists Sergei Kainov (State Historical Museum of Russia), Kirill Mikhailov (Institute for the History of Material Culture, Russia) and jeweller Vasily Maisky indicate that Schmidt’s drawing is a reconstruction and that the weathervane (which is now stored in The Smolensk State Museum-Preserve under inventory number 23656/1-9) is broken to pieces and lacks the central part with the ring. Despite that, there is no reason not to trust in Schmidt’s reconstruction; it only means that not all of the pieces of the original find are on display.

    Literature: Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Schmidt 2005; Thunmark-Nylén 2006.

A drawing of the Novoselki weathervane. Source: Kirill Michailov; Lamm 2004: Fig. 7.

The miniature weathervane from Novoselki. Source: Vasilij “Gudred” Maiskij.


A drawing of the weathervane from Novoselki. Source: Schmidt 2005: 196, Il. 11:2.

  • Menzlin, Mecklenburg-Vorpommern, Germany
    During the autumn of 2002, the International Sachsensymposion (Internationales Sachsensymposion 2002) was organised at the Schwerin castle, where Dr. Lamm held a speech on then newly excavated Söderby and Novoselki weathervanes. After the presentation, he was informed by Friedrich Lüth about yet another, similar object found nearby, at the Viking age trading centre Menzlin. The very same day, Mr. Lamm went to see the find that was deposited in a special showcase in Menzlin, which is used for displaying newly excavated items from the area. He acknowledged that the item is in fact a miniature weathervane and is very similar to the Birka and Tingsgården finds (Lamm 2003). The weathervane was probably excavated in 1999 and published the next year (Schirren 2000: 472, Abb. 136:1). As far as we can tell from the detailed photos, it is about 50 mm long and 38 mm wide.

    Literature
    : Schirren 2000; Ekberg 2002; Lamm 2002; Lamm 2003; Lamm 2004; Thunmark-Nylén 2006.

Menzlin weathervane. Source: Lamm 2003: Abb. 1.

Looking at the finds, we can clearly define two standardized types of the miniature weathervanes – the “Birka type” and the “Häffinds type” – along with the unusual and atypic pieces (Gropstad). Next, we will take a closer look at the presumed function of these objects and the symbolism of miniature weathervanes in Old-Norse culture.

Map of the miniature weathervane finds mentioned in the article. Source: Lamm 2004: Fig. 2.


The function of miniature weathervanes

Jan Peder Lamm had three theories on the possible function of miniature weathervanes. According to him, they were mainly a status symbols and pieces of artistic value. At the same time, he held the opinion of the objects being a part of boat-models, similar to ship-shaped candlesticks (Lamm 2002: 40; Lamm 2003: 61; Lamm 2004: 138), which we know from Norwegian church environment of 12th and 13th century (Blindheim 1983: 96, Fig. 7). The third supposed function was in a seafaring naviagion tool – Mr. Lamm suggested the weathervanes could had been used to help with determining angular height of astronomical objects. This theory was pursued before Lamm by Engström and Nykänen (Engström – Nykänen 1996) but was denoted as surreal and inconclusive (Christensen 1998).

As far as we can tell, the theory of boat models does not fit most of the listed finds. The boat-shaped candlestick platforms are at least two centuries younger and we have only one pair-find of the weathervanes from Gropstad. Thus, it is more probable that the Viking-Age miniature weathervanes were a part of clothing pins, as can be seen at the example from Novoselki. It seems that the poles were narrowed on the inserting part, while having the tip widened and flattened. Below the weathervane, there was a eyelet for attaching a string, which was used for fixing the pin. This method was most likely used for cloak fastening. The standardized look can indicate a centralized manufacture and distribution via for example gift-giving.

Cloak pins with miniature weathervanes made by Vasili “Gudred” Maisky.


Weathervane symbolism

The literature on miniature weathervanes was to a major extent focused on symbolism that was presumed the items had. From the era between 1000-1300 AD, we know of at least five complete Scandinavian weathervanes and several of their fragments – all of which were made from gilded high-percentage copper (Blindheim 1983: 104-105). That is in compliance with literary sources, which place gilded weathervanes (oldnorse: veðrviti) at the bow of the war ships of important personas (Blindheim 1983: 93; Lamm 2003: 57). The bow-situated weathervanes can also be found in 11th-13th century iconography, while in the older iconography, the weathervanes can also be found on masts (Blindheim 1983: 94-98; Lamm 2004: 140; Thunmark-Nylén 2006: 367). Aside of that, we also have several instances of the weathervane motive used on metal applications of horse harnesses, pendants and – as discussed above – as clothes pins, which are very faithful miniatures of the genuine ship weathervanes.

Scandinavian weathervanes and their fragments, 1000-1300 AD.

From the upper-left: Källunge weathervane, Heggen weathervane, Söderal weathervane, Tingelstad weathervane, Høyjord weathervane, a horse figurine from the Lolland weathervane. Source: Blindheim 1983: Figs. 1, 3, 4, 6, 9, 20.

Selection of miniature weathervanes depicted in iconography, 800-1300 AD.

From the left: Sparlösa runestone, Stenkyrka runestone, Bergen engraving, engravings from churches in Borgund, Urnes and Kaupanger. Source: Lamm 2004: Fig. 10; Blindheim 1983: Figs. 8, 10, 11, 12.

Horse harness fittings in a shape of weathervane, Borre and Gnezdovo.
Source: Myhre – Gansum 2003: 27; Lamm 2004: Fig. 9; catalogue Unimus.

Norwegian church boat-shaped candlesticks with weathervanes, 1100-1300 AD.

The weathervanes first started to appear on bow of the ships as early as 11th century, when they began to replace the wooden heads. Their function did not change though – the weathervanes were also removable, and the animals depicted on them were meant to frighten any chaotic agents dwelling along the journey. At the same time, the weathervane posed as a revering representation of the ship’s owner and thus presented a clearly distinguishable symbol. It is often stated that the function of weathervanes changed throughout the following ages, finding the usage on church buildings. However, according to Martin Blindheim (1983: 107-108), the old Norwegian military service laws mention that important ship equipment was stored in churches, and while the rest of the equipment (sails, ropes) fell victim to the passing of time, the weathervanes survived and became a permanent property of the churches. The connection of a church and a ship in naval-oriented Scandinavia is also backed up by the church boat-shaped candlesticks.

At the very least we can say that during the Viking Age, the weathervane was perceived as a property of the ship’s owner and as a precious symbol referring to naval activity and personal reputation. Not every ship owner could afford such an accessory though – the weathervane was undoubtedly limited only to a very small group of the richest, who owned huge and top-grade equipped vessels. The tradition of using weathervanes was so anchored in Scandinavian culture, that it had a substantial effect on weathervane usage even in different parts of Europe – e.g. France where the French word for “weathervane” (girouette) originates from Old Norse (Lindgrén – Neumann 1984).


Bibliography

Blindheim 1983 = Blindheim, Martin (1983). De gyldne skipsfløyer fra sen vikingtid. Bruk og teknikk. Viking XLVI, Oslo, 85-111.

Brandt 1986 = Brandt, Bengt (1986). Bandlundeviken. En vikingatida handelsplats på Gotland. Grävningsrapport och utvärdering, Stockholm.

Brandt 2002 = Brandt, Bengt (2002). Bandlundeviken – a Viking trading centre on Gotland. In: Burenhult, G. (ed). Remote Sensing, vol. 2, Theses and Papers in North-European Archaeology 13:b, Stockholm, 243-311.

Edgren 1988 = Edgren, Torsten (1988). Om leksaksbåtar från vikingatid och tidig medeltid. In: Steen Jensen, J. (ed.), Festskrift til Olaf Olsen på 60-års dagen den 7. juni 1988, København, 157-164.

Ekberg 2002 = Ekberg, Veronica (2002). På resa till en annan värld. Vikingatida miniatyrflöjlar. C-uppsats i arkeologi, Stockholms universitet, Stockholm.

Engström – Nykänen 1996 = Engström, Jan – Nykänen, Panu (1996). New interpretations of Viking Age weathervanes. In: Fornvännen 91:3, 137-142.

Frykberg 1977 = Frykberg, Yvonne (1977). Syrholen i Dala-Floda socken. Seminarieuppsats i arkeologi, Stockholms universitet, Stockholm.

Christensen 1998 = Christensen, Arne Emil (1998). The Viking weathervanes were not navigation instruments! In: Fornvännen 93, 202-203.

Lamm 2002 = Lamm, Jan Peder (2002). De havdjärvas märke – om vikingatidens skeppsflöjlar. In: Gotländskt arkiv 74, 33-42.

Lamm 2003 = Lamm, Jan Peder (2003). Die wikingerzeitliche Miniaturwetterfahne aus Menzlin, Lkr. Ostvorpommern, und verwandte Funde. In: Bodendenkmalpflege in Mecklenburg-Vorpommern, Jahrbuch, 50, 57-63.

Lamm 2004 = Lamm, Jan Peder (2004). Vindflöjlar : liten klenod med stort förflutet : den vikingatida flöjeln från Saltvik aktualiserad av nya fynd. In: Åländsk odling 61, 129-143.

Lindgrén – Neumann 1984 = Lindgrén, Susanne – Neumann, Jehuda (1984). Viking weather-vane practices in medieval France. In: Fornvännen 78, 197-203.

Myhre – Gansum 2003 = Myhre, Bjørn – Gansum, Terje (2003). Skipshaugen 900 e. Kr. : Borrefunnet 1852-2002, Borre.

Petré 2011 = Petré, Bo (2011). Fornlämning RAÄ 28, Söderby, Lovö sn, Up. Gravfält från vendeltid och vikingatid samt några gravar och boplatslämningar från bronsålder. Lovö Archaeological Reports and Studies Nr 10 År 2011, Department of Archaeology and Classical Studies, Stockholm University.

Salin 1921 = Salin, Bernhard (1921). Förgylld flöjel från Söderala kyrka. In: Fornvännen 16, 1-22.

Schirren 2000 = Schirren, Michael C. (2000). Menzlin, Lkr. Ostvorpommern. In: Bodendenkmalpflege in Mecklenburg-Vorpommern, Bd. 47, Jahrbuch 1999, Lübstorf, 472.

Schmidt 2005 = Шмидт, Е.А. (2005). Курганный могильнику пос. Новоселки // Смоленские древности, Вып. 4, Смоленск, 146–218.

Sörling 2018 = Sörling, Erik (2018). Fynden från ”Svarta jorden” på Björkö : från Hjalmar Stolpes undersökningar, Katalog, Uppsala.

Thunmark-Nylén 2000 =Thunmark-Nylén, Lena (2000). Die Wikingerzeit Gotlands IV:1–3. Katalog. Stockholm.

Thunmark-Nylén 2006 = Thunmark-Nylén, Lena (2006). Die Wikingerzeit Gotlands III: 1–2 : Text, Stockholm.